Episode 6 - AhDream Smith

Maddi Albregts Intro

This podcast is brought to you by Mad Theatre Company, a nonprofit theater company based out of New York City. 

James

Hello and welcome back to One Hale of a Conversation. My name is James Hale. I am your host and I have the immense pleasure of being in the studio with AhDream Smith: Actor, storyteller, director extraordinaire. Welcome. Welcome,.

AhDream

Thank you!

James

How are you? 

AhDream

I'm well. So excited to be here. 

James

Excellent!  It's very exciting. We're just going to dive right in. 

AhDream

Okay. 

James

Start off with the hard hitting questions. Educational path. 

AhDream

Mmm hmm.

James

You went to Wesleyan for a B.A., I believe.

AhDream

Mmm hmm.

James

You then went to UNC for the MFA program before landing here in New York. Umm, I'm wondering, can you just sort of tell us how that journey, how that happened?


AhDream

Sure.


James

Why why those places? Why that order?


AhDream

Yeah, I mean, you know, I…I've been thinking about that recently. I recently, umm, like top of the year, I got a box from…of my stuff from one of my professor's house. Bless her heart. I thought I got all my stuff out of her house, but clearly didn't. And literally, I had programs, my school I.D. books, all from 2009.  


James

Ok, excellent.


AhDream

So this is very fresh on my… fresh on my brain. But yeah, you know, I had the opportunity to go to Vanderbilt and I'm originally from Memphis, and I often wonder, like, how differently my life would have been, you know, but I didn't. I chose Wesleyan because I was like, you know, what an opportunity to get away from home.  I'll be in between New York and Boston. 


James

Yeah.


AhDream

I had never been to the Northeast. I didn't realize that Boston and New York wasn't as close to, you know…


James

Sure, right.

Wesleyan specifically, especially if you don't have a car. But I was like, yeah, well, I’ll be right there. And, you know, Wesleyan had a strong academic program.  At that time in my life, I wanted to be a doctor and an actress. So it just made sense to go to a liberal arts school. 


James

Absolutely. 


AhDream

They had a strong, a strong science program and I didn't know much about the arts, but I knew that there was film and theater and I was like, okay, that's enough. And so that's why I chose Wesleyan. Fortunately, or unfortunately, when I got there, the science environment was just from, you know, talking to the kids on the street, they were like, “oh, you know, they're weeding people out of the sciences.” Cause I guess a lot of people who go there, you know, go with the intention to go into some type of medical school or something.


James

Sure. Right


AhDream

And that's just like, you know, that's not for everybody. But, I, that's what someone had said and that really just scared me.  And I was like, I just want to keep taking science classes because I actually enjoy science.


James

Right right, like, I really like learning this. Sure. 


AhDream

Right.  And so instead of maybe like, I don't know, seeing for myself, I was in a science class and I think within the drop-add period, I just dropped it cuz I was like, I'm not trying to mess up my GPA!  Like for what? And with, with the acting, I…you had to audition for Acting One and I, and I think…I think back on this and I don't know if I signed up for the right class or…


James

Yeah, that seems a little strange. 


AhDream

Right!? Right. So not only did I have to audition, I didn't get in and the guy was just like, “Oh, try again next semester.”  And Wesleyan, you have to declare your major sophomore year, which is nice. You know, they give you a year to kind of figure some things out. 


James

Yeah absolutely, settle in. 


AhDream

Yeah, but I, I, had coming out of high school, I was like, high school flew by. I'm like, college is going to fly by. Like, I don't have time to be waiting a whole other semester!


James

Okay. 


AhDream

Just let it go, you know? 


James

Wow. Okay. 


AhDream

I know it's dark, and they eventually fired that person before I graduated.


James

No!


AhDream

Yeah, Karma


James

Is it because of you? Did you, did you narc? 


AhDream

I didn’t. I didn’t. But it just, it in some ways, it kind of helped put a little balm on that wound. 


James

Sure. 


AhDream

That this person may or may not or didn't have, you know, just people's best interest at heart.


James

Sure. Yeah. 


AhDream

Any who. But that put me on a different path for a while. Like I became an American studies major, I was thinking about becoming a U.S. ambassador. I know. 


James

That’d be sick. 


AhDream

Yeah. And then I just, I started learning a lot about this country and the history of this country in…in ways that just…I'm just like, everybody needs to know this information!  You know, like, what if I hadn't signed up for this class?  What if I hadn't come to college? What about all my friends who are at this college who aren't taking this class? 


James

Who don't know, right. 


AhDream

What about the people who aren't even going to college, you know? 


James

That's so interesting. 


AhDream

Yes. And so I will say, you know, irrespective of all the different paths and how, you know, it was a culture shock and all these other things, I cannot refute that I got an excellent education. 


James

Excellent, excellent. 


AhDream

Excellent.  And it's so funny with the recent strike down of affirmative action in my sophomore year, we talked about this in my US Racial Formations class. There's this book called Yellow. I'm blanking on the author's name, but he talks about it specifically from the Asian-American perspective and how you can't compare, you know, the Asian-American experience with the Latinx American experience, with the African-American experience, because they're all in this country for different reasons.


James

Sure. 


AhDream

You know, historically, Africans were brought to this country by force, you know, Latinx people historically have come to this country because of political and dangerous situations that, like, pushed them out.


James

Right, they were fleeing something.


AhDream

Fleeing, right. And then, you know like the Asian experience like…


James

Seeking economic opportunity. 


AhDream

Exactly. So they're all…


James

That’s interesting.


AhDream

Right!  And so it was so interesting. I literally opened one of the notebooks and it was talking about affirmative action after I had just read the news.  And I was like…


James

Oh, like recently looking back at it? 


AhDream

Literally.  Right.  Because like I said, I was going through the books to declutter. So I'm like, okay, stuff from 2009, I clearly don't need it.  And I was just like, what are the odds that I come across this notebook on this day? And I'm like…


James

If you knew then what you know now…


AhDream

Right!  Any who, we have digressed.


James

We have!  Yeah, I love that. So you're at, you're at Wesleyan and you're studying. You're, you got a BA in forgive me it was 


AhDream

Just a Bachelor of Arts


James

American studies with race and ethnic…?


AhDream

Concentration of race and ethnic studies. 


James

Okay. So you're taking classes there. You have effectively stopped trying to pursue acting.


AhDream

Yeah. Yeah. 


James

How then did you end up going to UNC for an MFA in, I believe, theater?


AhDream

Yeah. In acting, yeah. So my senior year, I came across this flier promoting The Vagina monologues. 


James

Okay.


AhDream

And I was like, I knew nothing about it, but I was like, You know what? Let me just go try. 


James

Sure. 


AhDream

You know, and I got in and I got accepted into the production. 


James

Oh, you were cast?


AhDream

I was cast in the production and it was so much fun!  And I was like, wow. And then it was like my ten year’s [old] out, I started discovering all these things that Wesleyan had to offer, like the student. The students in the film department make films, they make shorts and they need actors, right? 


James

Right.


AhDream

And so, like, I was in like a student film and, and then there's…


James

This is your senior year?


AhDream

My senior year. 


James

Wow, okay. 


AhDream

Yeah, and there's this student run theater called Second Stage, which I think is, you know, mimicked off of the New York Second Stage.


James

Yeah.


AhDream

And like they do student productions. And so I was in a senior thesis and I was just like, man! All this time, all this time, you know, even if I didn't go through the traditional training of acting, I could have been…still involved.


James

Right, yeah.


AhDream

But, I didn’t know.


James

You don’t know.  You don't know what you don't know. 


AhDream

That's it. And so I left Wesleyan, like, inspired, like, okay, like maybe they're still hope, but really clear that I needed and wanted training.


James

Of course. 


AhDream

And so I went into corporate America after graduation into advertising and was still like trying to figure it out. 


James

Mmm hmm.


AhDream

And then I got to a point where I was just like, okay, I can't…a lot of these programs that I'm seeing or that I was looking at specifically like summer intensives…


James

Mmm hmm.


AhDream

I was just like, I can't do that and a full time job.  And so I made the choice to just like exit stage left and try to figure it out like, really bet on myself. 


James

Yeah, yeah. 


AhDream

Yeah.


James

Amazing. 


AhDream

And so I did two different summer programs over two different summers.  One at William Esper and one at Stella Adler. And…


James

Were you in New York working at the time? 


AhDream

Yes. Yes. Yes.  Um…and so it was great.  I learned a lot. And I still felt like it was hard for me to synthesize the information because at that point, you know, I'm working different freelance gig jobs. 


James

Sure. 


AhDream

And yeah, I was just like, I just want to focus like, I don't want to have to be worrying about how I'm doing this commute here. This is…I just want to be able to learn the thing and do the thing.


James

Right.


AhDream

And that's how I started looking at MFA programs.


James

Okay. 


AhDream

And yeah, it's just so funny.  I…I was at UCB taking, umm, watching a show and one of the guys afterwards, I don't know, I was just congratulating him on the show and I don't know why shared, but I was like, I'm thinking about going to MFA, you know, getting a MFA, and he was just like, “Okay, what plays are you reading?”  And I was like…


James

Oh. 


AhDream

Umm…I don’t know, what plays should I be reading?


James

Right.  What does that mean?


AhDream

Right?  And he gave me a whole list and he was like, “listen, you need to go to the drama bookshop.” And I was like taking notes. And one of the plays he recommended was by Suzan-Lori Parks. 


James

Ok.


AhDream

And so I go to the drama bookshop and there is a flier at the drama bookshop, and she was doing, in rep at Signature Theater, The Red Letter Plays.


James

Wow.


AhDream

So fucking A and umm, In the Blood. And so I was like, What are the odds!? 


James

That’s crazy? And that's, yeah, the kismet. 


AhDream

Very much so. So of course I go see both.


James

Excellent.


AhDream

And, I see somebody that I had met at like at an after party during like the Tony season in one of the plays. And I'm like, Oh my gosh, I'm in the audience!  You know, I like text him. I don't…listen. And he responded and I was like, ahhhh!  So anyway, after that, he goes to talk to the cast and the other production and, you know, it just it all, it feels very divine.


James

Yeah


AhDream

I like some people in there. One of the ladies in that play is an alum of A.C.T.. 


James

Okay.


AhDream

And so, you know, she was talking to me about that program.


James

Yeah. 


AhDream

And I just started getting connected to people who had recently graduated from MFA programs. And so they were kind of like putting me on game. Like, listen, you need to apply to URTA’s and obviously apply to like the top schools.


James

Right. 


AhDream

You know…


James

Shoot your shot, but also…


AhDream

Yeah, shoot your shot. And this is also how you can like get a quality education and not go into debt.  That's some real tea. 


James

Yeah. 


AhDream

Yeah. And so I was like, okay, so I did all that. I got a…I got an end-of- day call back at NYU first time, I was like, okay girl!


James

Whoaaa damn.


AhDream

Right?


James

That's a big time program. 


AhDream

It was it. Yeah, it was really exciting. And I got no, no bites from URTA’s, so that was my big win.


James

Sure.


AhDream

So like end-of-day callback at NYU.


James

Yeah, yeah, yeah.


AhDream

And I was like, okay, I was coming from the Yale audition and I was on the train coming back to New York from New Haven. 


James

Hmm mm.


AhDream

And this girl, we use the same coach. She was on the phone talking to her partner or whatever, and she was just like, Yeah, okay, you know…that didn’t go well, but like, I'm…this is what I'm thinking, like, London da da da da da da…


James

Hmm mm.


AhDream

And I was like, I know that's right!  When one door closes, you just go find another one!


James

That’s right, you pivot, you pivot. 


AhDream

Pivot!  And I was just like, that's freaking brilliant. And in that moment I decided I'm going to apply again. And, what do I need to do or who do I need to be so that I'm not the same artist this time next year?


James

Right.  


AhDream

Right. 


James

That they see something different. 


AhDream

That's it and that was my whole goal. It wasn't like, I want to get into all – It's just like – I want to be a different artist this time next year. And so there was this, there's this program in London called the Identity School [of Acting], and a lot of people of color go there.  John Boyega is a graduate of the school. 


James

Oh, wow.


AhDream

Right. And they also have an agency. And so they're repped by the, you know, the agency portion. 


James

I see, okay.  Theater program into the agency.


AhDream

Right. Right. And not necessarily everybody. You know, there's no guarantee, but, you know, blah, blah, blah. 


James

Right.


AhDream

And so one of a friend of mine that I had met when I like went out to L.A. on a whim during my corporate time.  And it's very kismet as well, though, Like I was still in corporate, went to L.A. to visit a friend. And this web series developer, Newman Perry, she's like gone on to have great success, but she started in the Web series. 


James

Hmm mm.


AhDream

She had this channel called with her partner at the time called Black and Sexy TV. 


James

Okay.


AhDream

And this was during “Oscars So White”, all that jazz. 


James

Sure.


AhDream

And so she was, you know, creating alternative content. And it was happening around the time that I was in L.A. So, I had reached out to all these YouTube content creators and I was like, Hey, I'm going to be in L.A., I'd love to grab coffee, you know? 


James

Sure.


AhDream

And everybody responded. But she was the one who was like, Hey, I'm not available for coffee, but if you're in town for this thing, you're invited. Oh, honey, I changed my plane ticket!


James

Ohhh.


AhDream

I became available, okay! 


James

Sure!


AhDream

And so at that event, and it was basically like it, was like not Jeopardy, but like a battle of the… you know. 


James

Sure. 


AhDream

But like, movie titles. 


James

Okay. 


AhDream

So my my movie that I had to defend was The Five Heartbeats. 


James

You had the defend so this was like a debate of some sort. 


AhDream

This is why this is the greatest of all time.  Yeah, that was the category, greatest film of all time. And the girl, the young lady who I was going against was defending the Color Purple. Yeah. 


James

Wow. Okay.


AhDream

So at this party or event, the guy who…his name is JQ, he was in one of the web series.  We connected fast forward back to the present…he went to LAMDA.


James

Okay. 


AhDream

And so I'm on the train and I reach out to him and I'm like, Hey, I'm thinking about, you know, plant Identity. Like, you know, have you heard of it? What are your thoughts? And he was just like, Yo, they're opening up a L.A. branch. You should apply there. And I was like, ya know, that would be more cost effective than going across the pond.


James

Than, than going to London.


AhDream

Yeah, right, right. And so I applied, I got in, I flew out for the audition. I like flew off for 24 hours, came back, got in. I did that program for about two months.  It was a part time program. So you kind of like could pay, you know, as you go.


James

Interesting. 


AhDream

Yeah. And I think the structure is like that because like a lot of people in L.A. are already working creatives.  So like some of the people in my class were stunt professionals or professional dancers. 


James

Gotcha, sure. 


AhDream

But it was there that I was like, I want to be a master. I think it's great. I think it's great to always be learning. And I think, you know, staying a student of the craft is important.


James

Right.


AhDream

But every teacher – 


James

Recognizing that we are always students.


AhDream

Yeah, exactly.  But every teacher that they brought in to teach us had a masters. And I was like, Yeah, I want a master. 


James

Yeah, I want that, yeah.


AhDream

And also, you know, the benefit of going to not necessarily an accredited institution…I don't know if accredited is the word I'm looking for. There is another word, but it allows the school to offer like scholarships.


James

Okay.  


AhDream

You know?  So going to like a let's just say old school school, you know.


James

Traditional. 


AhDream

Traditional. Thank you, James. Come on. 


James

We got there. 


AhDream

You know, it allows for for those type, those type of opportunities, whereas because this was a newer institution, you know, still getting set up, you know, that wasn't a possibility. 


James

Right. 


AhDream

So I apply round two and I get like 20 taps from schools in URTA’s, I make it to end-of-day again. 


James

Yeah, okay.


AhDream

At NYU.  I’m like okay!? 


James

Wow. Everybody wants you!


AhDream

Listen, and you know, I…I was… I had like three top schools. I was looking at UNC, UT Knox… 


James

Okay. 


AhDream

And University of Washington and… 


James

Sure. 


AhDream

Yeah. I was actually at University of Washington when I got the call from UNC and I was like, Ohhhhh, buddy.  And I think, you know, I chose, I ran into an alum of UNC –


James

Okay. 


AhDream

– At UT Knox, while I was there visiting the program, she was in one of their plays. So UT Knox also has a professional theater –


James

Okay. 


AhDream

– Connected to their program, the Clarence Brown Theater. 


James

Right. Okay. 


AhDream

And they were doing a production of Detroit 67, where it's also where I met Gerrard.  


James

Of course.


AhDream

And…


James

I didn't realize you were there visiting that program. I thought you –


AhDream

Okay, I was there visiting their program. And because one of the leads was an alum of UNC, I was like, hey, you know, can we talk after the show? 


James

Right? 


AhDream

So of course, I get to meet the whole cast and, you know, and she gave me her insight and that's really what swung the pendulum for me. 


James

Right. 


AhDream

And so that's why I chose UNC. I was like, you know, the pro – the program is run by women and most of these other programs…


James

Interesting.


AhDream 

Are men led. 


James

Is that an intentional thing from UNC or just sort of an accident that it happens that way?


AhDream

Ahhhh, you know…I don’t know if it’s intentional. I mean, the program used to be…the program used to be run by a man…


James

Right.


AhDream

The MFA program, but there were still women on faculty, but he was phasing out and so the new head of the program was a woman. And also the artistic leadership at Playmakers was a woman. 


James

Mmm, okay.


AhDream

And so I don't think that was intentional, but that's just right. 


James

Yeah. 


AhDream

And one of my mentors spoke highly of the artistic director and I was just like, That's all I needed.


James

Great.


AhDream

And so that's how I chose USC and also there was funding, you know?


James

Always got to take the funding into account. 


AhDream

Listen…


James

School's expensive.


AhDream

School is expensive, and when you're not working a corporate job, you know, paying those loans off is a thing. 


James

Yeah. 


AhDream

So if you have an opportunity to get quality and graduate debt free…


James

Do it. 


AhDream

Then that's what you do. Yeah. So that's Wesleyan to UNC.


James

Wesleyan to UNC.  But you were in New York post Wesleyan pre UNC.


AhDream

Correct.


James

So I assume you came back here because you and Gerrard…both wanted to go here?


AhDream

No, I didn't know Gerrard.


James

When you came back to Carolina?


AhDream

Oh oh oh, Post Carolina?


James

Post Carolina.


AhDream

Yeah. I mean I came back to New York because I just, I feel like, you know, when I did my stint in L.A. with Identity, I just got really present to how, how different people move out in L.A., you know?


James

Sure. 


AhDream

I think a benefit of New York that you don't necessarily realize is because everybody's kind of stacked on top of each other, like the frequency of you running into somebody you know becomes higher. You know, the subways run 24 hours a day, you know?


James

Right.


AhDream

So like the driving and getting stuck in traffic. Like, that's not really a thing if you're willing to get on the train and, you know, fortunately, if the train if it's just one train to get to you, then people are more, you know, the likelihood of linking up is higher.


James

Sure. 


AhDream

There's a lot of free programing in New York. We could just go to a park –


James

Mmm Hmm, totally –


AhDream

It just…it, it, it seems to be less barriers of opposition to actually have community and to foster community. Whereas my experience in L.A. is like, if you don't live in the same neighborhood, you know, you just might not see people.


James

It's hard to see people, right.


AhDream

Yeah.


James

That’s really interesting. 


AhDream

And I feel like obviously that, that becomes that that's person to person, you know?


James

Right


AhDream

How much do they value the relationship, etc.. But I think that overall energy was just kind of like you don't, people don't go outside of certain distances to see people and people are busy and it's like, what can you do for me if it's not worth my time?  Yeah…


James

Interesting.


AhDream

Right!? I mean, now that was my experience. I'm not saying that's what it is for everybody. I'm not saying that's what it is today. But having experienced that and having experienced a sense of community here, I was like, I'd rather come back here –


James

Right –


AhDream

And let a job take me to L.A. 


James

That makes complete sense. You base yourself here and know that you might have to be bicoastal.


AhDream

Yeah, Yeah. 


James

That's a that's how a lot of people operated in this profession at a certain level. 


AhDream

Yeah, and I just feel like, you know, there's I just have more tenure on this, on this coastline, you know?


James

Right. 


AhDream

So if I need, you know, I got family. I consider them family. But you know, my chosen family in Connecticut from when I was in grad school.  So if anything happens, Connecticut's up the street, you know?


James

Right.


AhDream

New York is a hub. I have family in Chicago and Memphis. I can get there easily from this airport, you know? 


James

Yeah. 


AhDream

So and then if I need to get back down in North Carolina, Playmakers wants to hire me. It's a straight flight. 


James

Playmakers…she’s available.


AhDream

Playmakers!


James

She's available Playmakers!


AhDream

Or DPAC [Durham Performing Arts Center]. 


James

Ooo, I would love to be at DPAC. 


AhDream

Yes.


James

DPAC is great. 


AhDream

Denver or Durham.


James

Both of the D's. 


AhDream

Yes!


James

All the D's. Someone hire me!  Interesting. So I want to dig in a little bit. I so far I've only interviewed people who have been to LAMDA…


AhDream

Sure.


James

So I was really, really, obviously intimately familiar with the training they went through.


AhDream

Mm hmm.


James

And I'm curious about the MFA program at Carolina and sort of how you would describe the training, what types of, of, techniques and courses you were taught. Like is there anything noteworthy that you think sets UNC apart? Were you just doing endless scene study classes?  Were you…you know, what…what was the educational experience actually like?


AhDream

Yeah, you know, that's a great question. I feel like in some ways it’d be easier to answer if I, you know, I could do an apples to apples or a comparison to another program. 


James

Sure. 


AhDream

You know, so I feel like it's in some ways it's kind of hard to say, oh, well, it was top notch because we got this –


James

Right –


AhDream

And I mean, nobody else got it.


James

That's fair.


AhDream

But we definitely didn't do endless study. I, and, I also would like to caveat that I feel like the training that was intended may or may not have been achieved because of the pandemic.


James

COVID. Right, okay.


AhDream

So there's that. I think my faculty, you know, did the best that, you know, they could with the given circumstances in some ways, you know, like I did Clown over Zoom, right?


James

Ooo Yeah, okay.


AhDream

I broke things in my house…


James

As you often do while clowning. 


AhDream

Yes, however, I became an Aunt at that same time, and so gibberish –


James

Wow, right –


AhDream

Was like a gift to be able to use with my nephew, you know?


James

Of course. Just makes you better at play.


AhDream

Like we had full on conversations.  Yes!  And it is so cool.  And I feel like we have a special connection because of that.  Like he still talks to me now in gibberish. And I'm just like, I know…talk to me. 


James

Hell yeah, I got you.


AhDream

Yeah. Let me see. What was something that I really enjoyed? 


James

Well, so I guess to, to clarify my question a little bit…


AhDream

Yeah.


James

When I think about LAMDA, if I was to like describe the education that we got there I would be like basically they operate on the tenets of like the classical actor training, 


AhDream

Mm hmm.


James

Which is more or less like movement or body…


AhDream

Okay.


James

Voice and then music and then those are like the three pillars classically.  And then they also have sort of shoehorned in more broadly like acting. 


AhDream

Sure.


James

Where we would do the scene study class or we would practice monologues or we would break down text. 


AhDream

Okay.


James

Umm, and that's the only training really that I am familiar with or that I've been exposed to. And so I don't know, like is that every MFA? 


AhDream

Right, right.


James

Is every masters program is based off that?  Is there an ethos somewhere, umm, that I'm just not aware of? 


AhDream

Yeah. Okay. That's, that's helpful. I, okay. So similarly, we moved each year with a focus on movement, voice and speech, and acting.


James

Okay.


AhDream

So those are kind of our three tenets. 


James

Sure.


AhDream

And in each year, uh, in those different verticals, like how we approached it changed. 


James

Hmm…


AhDream

So like year one in movement was very much about like forgetting everything you know and baby brain.


James

Right, right. 


AhDream

And, you know, how do you tell a story off of a gesture and like a photo and like, can you recreate the photo with your body?


James

Hmm, interesting.


AhDream

You know, just very playful ways to kind of like get into character. And then like year two was about clowning. And then year three, you know, was looking at [the] solo show like, so how do you take all these different things to put it together?  But so in movement specifically, I know year two there was supposed to be a focus on Alexander and like, you know, really bringing in a practitioner, like laying us on a table…


James

Okay.


AhDream

Like a whole semester of that being focused…of focus. But I know because of COVID, you know, boom. 


James

Yeah, geez.. 


AhDream

And then with voice and speech, our teacher, we had two teachers, one trained in the Linklater method, and the other one I was also trained in a particular style..


James

Yeah, same technique.


AhDream

Yeah, yeah. Scott Miller I think. Scott? 


James

Okay. 


AhDream

And yeah, like it was really cool. It was really interesting for me, specifically because I've always considered myself vocally…loud.


James

Okay.


AhDream

You know, even like I personally am not loud, but I have considered myself to have, you know, strong vocal capabilities. 


James

Okay. 


AhDream

Because in high school I was the mascot and I was… 


James

No way!


AhDream

Yeah. Yeah. 


James

What was the mascot?  What were you dressed as?


AhDream

Right. Well, it was it was a warrior.  Umm but our mascot wasn't like the traditional mascot with the bubble head. So, like, I just had on an outfit. You could see my, you could see my face. 


James

Okay. Okay. 


AhDream

Yeah, yeah, yeah, yeah. 


James

You weren’t, you weren't wearing Rameses. 


AhDream

No no no no no.  I wasn't doing that.


James

Okay.


AhDream

So, you know, I later learned this, like towards my senior year in high school that, you know, there's a whole mascot code. Mascots don't talk, all that jazz. But I'm like, Well, that doesn't apply to me. 


James

Right, that's not me.


AhDream

Because I don't have a bubble head!  You know? So I would be talking to the audience, you know, the guests at the game.  I was the person that got the wave started at the Liberty Bowl. Football game. Like, you know what I'm saying? 


James

Wow….


AhDream

That's the type of energy I move with. 


James

Sure. 


AhDream

And then I feel like, you know, I went to corporate and that got muted in a way. 


James

Hmm of course. 


AhDream

And so to get to grad school and my vocal teacher be like, I can't hear you.  I'm like, what do you mean!?  Like, honey!


James

Yeah, like, I know that’s not true.


AhDream

But it was true and it was in it was, you know, through working with her that I realized, oh, I have my memory of who I am, but my body isn't necessarily showing up in that energy. 


James

Wow.


AhDream

And so I had to like, you know, then vocal warmups come into play and it's just like, oh, I actually have to do some things to get my body to, like, really resonate in a way that it used to naturally, because I've shifted, you know?


James

Sure.

AhDream

So I think that's the biggest gift I got from graduate school is like gaining that awareness and then gaining those tools to, to experience it for myself because I feel like unlike other art mediums or even just professions, acting is that thing that you have you get better at by doing, but it's oftentimes, you know, you can think you're doing great and it can not be effective.


James

Right.


AhDream

You know, so to experience my voice resonating and like you know hear the feedback from my my peers, but irrespective of them to hear it for myself. 


James

Right. 


AhDream

I was like, okay, this stuff works. You know?


James

They know what they're talking about. 


AhDream

They know what they're talking about. 


James

Yeah, I feel like I certainly had a moment similar to that of, you know, going into grad school and like I had some training and I'd show up and I'm like, Yeah, these guys are saying weird things and were doing weird stuff and like kind of whatever.


AhDream

Hmm mmm.


James

And then I don't actually remember when it happened, but I know that from where I started to where I like ended up like at some point I became a true, true believer. 


AhDream

Sure. 


James

And so there must have been a moment where I thought, oh no…they know. 


AhDream

Yeah, they know. 


James

They know, like this works. 


AhDream

Yeah.


James

They know what they're doing.  So is that specifically with the vocal work that you felt like you really, um, either learned the most or connected with the most? 


AhDream

I, I just, I feel like the vocal work was something tangible, you know, like umm movement, as I said, I won - you know - I wonder what could have been possible because I had a I had a teacher, umm, when I was at Stella and he was, you know, at the after the end of the program, he was just like, you know, I really think you doing Alexander would serve you.  And I didn't really know what that meant. 


James

Right, okay.


AhDream

I didn’t know who Alexander was, I was just like, okay, yeaaaah, sure okay..


James

Sure, right, right. 


AhDream

And so then when I heard the name again, you know, as I started researching graduate programs, I was like, oh, okay, okay, great.


James

Like, this is a thing, right yeah.


AhDream

Like, this program has that?  Great. And so to not to not get it and then but to get the awareness of like, yeah, I do this, I do this thing… 


James

Here's my habitual…whatever.


AhDream

Yeah, you know, or I see it in pictures and it's just like, Mm. Okay. I know I do it because I see it in pictures but like, oh snap, if I'm doing this in pictures, am I bringing this to every character.


James

Right. 


AhDream

And if every character's different? Uhhh.


James

Right. 


AhDream

You know. And so, yeah. And I mean with the acting, you know, text analysis and finding operative words and like, how do you lift the text?  And you know, there's 17 different ways to say things like…


James

Right. 


AhDream

You know, I think that's nice. And it was nice to just experience like, say, this line, okay, we're gonna, we’re gonna just lift this word now. 


James

Right.


AhDream

We’re just gonna lift this word in in the regards of thinking of like, how do you make something different every night and…


James

How do you how do you remain playful?


AhDream

How do you remain playful, yeah,l so that it doesn't get stale for you or for the other person when you can't change the words?


James

Right. 


AhDream

So I was just like, okay, but one thing that I wish that would be taken into consideration with all programs is that when you have people, some people that are coming from BFA programs and then some people that are coming from no training 


James

Right or piecemeal training.


AhDream

Or piecemeal training, then what is the almost like evaluation test? You know, like how do you…and maybe just in the first year first semester, how do you get a sense of where everybody is so that you are progressively getting everybody to the same level?


James

Right.  


AhDream

You know, versus coming in with the assumption that everybody knows how to beat out a scene, you know, text analysis, this, that, and the third when that's not always necessarily the case.


James

Yeah, not always true.


AhDream

Yeah.


James

Yeah that's really interesting. Yeah, I mean we…at LAMDA there was definitely something similar at least in like a first few months was just breaking down the habits. 


AhDream

Sure, yeah.


James

Getting you in the mindset to receive the eventual information, umm, which I like in my head know that happened over the first couple of months.


AhDream

Yeah.


James

And there were a lot of us who were sort of impatient with like when we actually got to learn things…


AhDream

Sure.


James

Like you're just telling us what to not do, or we're just doing endless exercises to like, relax…


AhDream

Yeah.


James

When are we going to actively learn something?  And they'd be like, ‘wait, wait, wait, it'll come, it’ll come.’ And it did eventually come. But now, thinking back to it, the time of greatest learning, I think, for me was the first few months there…


AhDream

Hmmm…


James

Which is when on paper we were technically learning very little.


AhDream

Right, right. 


James

It was all about, what have you brought with you? Everyone's brought all these different things.


AhDream

Hmm mmm.


James

So we just need to spend endless hours in a voice class drilling and phonating…


AhDream

Wow.


James

And learning what's happening, or laying on the ground and like feeling your body. So I'm glad I'm glad this to hear that that's, you know, a uniform thing. 


AhDream

Yeah. 


James

At least across two schools. 


AhDream

Yeah, body scans. They're like…


James

Hmm


AhDream

So powerful. I remember, umm, at Stella, we did…it was it still sticks out to me: We like, did this body scan and then he wanted us to just, like, move throughout the room and he was playing this like, you know, like instrumental, low key, whatever. 


James

Hmm mmm.


AhDream

And then he wanted us to audiate and like people were just like, making different sounds and then like, but they all started to harmonize and then it turned into like some angelic type…I was just like, What is this!? 


James

What is happening? 


AhDream

Yeah, you know, like the lights were low, like it was a very like this is some…yeah. 


James

Weird shit. 


AhDream

Yeah, it can be. It can be…


James

Weird. 


AhDream

Yeah. Powerful. 


James

Powerful. That's the word. It can be powerful.


AhDream

Mm. 


James

Amazing. So Wesleyan, you worked for a few years. You, you found the thing you wanted to pursue.  You pursued it. You're back in North Carolina? No, you were in North Carolina. I'm getting North Carolina in New York confused. You're back in New York.


AhDream

Hmm mm.


James

Big city. You moved here… 


AhDream

2022.


James

So last year. Okay. 


AhDream

Hmm mm.


James

All of us are obviously at this stage of our career where we're very much balancing life, jobs, auditions, trying to be artists. How are you finding art? Do you feel that you're finding that balance? And if so, like, how do you navigate that? Is that something that's intentional for you, or do you just do whatever's in front of you? 


AhDream

Yeah, umm, I feel like I'm still figuring out the balance. 


James

Sure.


AhDream

I think I'm just now getting in a solid place. Yeah, So I was I've been working remotely and part-time for UNC still.


James

Oh that’s right.  Okay.


AhDream

The graduate school specifically.  And so a lot of last year in the fall and even in the spring was like every other month going back to North Carolina. 


James

Hmm.


AhDream

And it was great. I feel like in a spiritual way, it allowed my, you know, sophomore grad school self to heal from that year. We lost, you know. 


James

Yikes, yeah.


AhDream

Umm in some ways. But it was it's…exhausting to, you know, just feel like you're constantly not at home.


James
Hmm.


AhDream

You know, and moving in itself is a thing.  And so I feel like I'm just now in the place of like, I can declutter, you know? 


James

Wow, okay.


AhDream

I was like, yo, when I first got here, it wasn't even about, what do you need? What do you not need? It was just like, get the stuff out the boxes.


James

Right. You know, just get it out, 


AhDream

Get it out the boxes!  And so now I'm in a place of like, okay, actually, I need to let this go so that I can make room for the stuff that I really want. And not just in a physical way, but in a spiritual way as well. 


James

Yeah, absolutely. 


AhDream

Umm, and so I feel like that's where I am right now. And it has been very intentional and and but with that is like, how do I balance, you know, getting myself creating a routine for myself now that I'm outside of the structure of graduate school.


James

Right. 


AhDream

And I think that's been my focus. And I'm and I'm trying, I'm oscillating between do I do I do that at the expense of simultaneously trying to build community? 


James

Right. 


AhDream

Because for me, community is really big and you know, being in the Bronx, whereas last time I was in New York, I was in Brooklyn. 


James

Hmm.


AhDream

And now that I'm back, everybody and their mom is in Brooklyn…


James

Right…


AhDream

So it’s like, it’s real effort to meet up with people. 


James

Yeah. 


AhDream

Yeah. And so, you know, umm, that's that's been a challenge for me because like said, I enjoy community and I feel like I actually owe it to myself to if, if, if it means to be removed, to be removed, to get myself set up…get a routine in place, get a process in place.  And that's because that's my thing too. I feel like now that I'm removed from graduate school, I can really reflect on all the tools that we were given and it's like, okay, we were given a lot. I might not need a scalpel every time I'm doing something. 


James

Right.


AhDream

You know, maybe I need a butter knife.


James

Right.


AhDream

You know, maybe I just need the scissors.  But I think you also need to have the time without the distraction of every which thing to be like, okay, what is going to be my process when I get the work? How am I constantly staying in process so every time that I get an audition, I don't feel like I got to ramp up to get ready. 


James

Right.


AhDream

You know, it's just a matter of like, “ok and we're flowing”, you know?


James

Yeah.  


AhDream

And that's that's where I wanna be.  And, and in some ways I feel like, you know, I'm, I’m getting there. I'm seeing the progress and I want to be better, you know? 


James

That’s lovely.


AhDream

So, yeah, that’s what I’m doing.


James

I definitely feel that about like maintaining some sort of readiness. 


AhDream

Hmm mm.


James

For me, it happens in music actually, where like just because I take my eye off it and I think about it, it'll be weeks between me, like singing.


AhDream

Hmm.


James

And then all of a sudden I get some sort of musical audition and I'm like, “oh shit, I haven't sung in two weeks.” And It takes me two full days to just like, shake off the rust…


AhDream

Right.


James

Before I can then even start approaching this audition. 


AhDream

Yeah.


James

And it's a less tangible and less obvious to me, but it is the same for any sort of straight play or non musical audition as well. Like if you're outside of that sort of creative mindset, creative, you know, self, whatever it is, umm, it does take some time to get back into.  But it's also hard to constantly be in that place of readiness. 


AhDream

Yeah. 


James

Without ever getting to move beyond it to an actual role or being being, you know, not having control of when you can move into an actual role, which is…


AhDream

I’ma agree and disagree on that.


James

Okay.


AhDream

Because I feel like the greatest the great people, the Serena Williams, the LeBron James, Michael Jordan, Kobe Bryant, you know, they're never not working out.


James

Right. 


AhDream

They're never not watching film. Okay. Off season. Great. Still training. 


James

Yeah. 


AhDream

You know, and so I'm in a space of like, how do I bring that type of mentality to acting? You know? I, for a long time I was just like, man, musicians have it easy. Like, you got scales, you know, like…


James

You know, right. It’s easy to practice.


AhDream

You know how to practice, you know, like, do do do do do, do, do, do, do. Okay, great. 


James

I got better.


AhDream

Right!  And I'm like, what is that for the actor? You know? Is that okay, doing a vocal warm up every day and I'm in this space of like trying to figure out…


James

Yeah.


AhDream

What is, what are my vocal scales, you know?  So I know vocally I need to warm up.  But also my body's like, if this is my instrument, I need to be strong, Like I need to be building my stamina. Umm, how do I stay ready? Or like, you know, if I get an audition that I'm not just acting from here up [gestures from neck above head].


James

Right.


AhDream

You know, how do I stay connected? How do I stay open and vulnerable? You know, like, those are the questions…


James

Yeah. 


AhDream

That I'm trying to, you know, work on. And I think in maybe not doing everything every day, but like, I’mma do a vocal warmup today.


James

Right. 


AhDream

Tomorrow I'll go to the gym. You know, I feel like as long as you're doing one thing of the things, then you're always in that readiness stage. 


James

Absolutely. 


AhDream

And you know, it's not, you're not burning yourself out so that when you get the thing, you’re tapped.


James

Right. And at least it keeps you in the mindset of I need to be getting better. 


AhDream

Yeah.


James

Not I need to always be getting better at every moment.


AhDream

Right. 


James

But every day, you know, this is what we pursue, umm, but I agree. I mean, you think about sort of peak performance in any field and there's definitely the greatest performers are musicians, athletes, umm writers.  They all have these really tangible ways that they can get better. 


AhDream

Hmm mm.


James

And I feel like that's so difficult for actors because I think…


AhDream

Hmm mm.


James

It's mostly or at least in large part because acting is inherently not a solo individual pursuit.


AhDream

Yeah.


James

You know, as an athlete you can do this one thing to get better at your are part of the team…


AhDream

It’s your jump shot.


James

Right.  And that makes you better as a singer, as a musician, you practice your instrument, you get better.


AhDream

Hmm mm.


James

As an actor, we are not inherently going out and doing a thing just by ourselves. There are lots of monologues that you can practice.


AhDream

Yeah.


James

But that's not really the core of what we do. 


AhDream

Yeah.


James

Which is what I think, in my head anyways, what makes it so difficult to find that like individualized specific practice that feels like I'm tangibly getting better.


AhDream

Yeah. Yeah. And I think that's why like having a gym, a creative gym is important.  You know, whether that's a scene study class, whether that's an on camera class on zoom, you know, like keeping yourself around iron so that you're constantly being sharpend.


James

Yeah. 


AhDream

Not by your own like, mentality, you know, mindset or, but just like being around other people.  Like, now I’ma just gon’ head and hype it up. MAD company, like, you know what I'm saying? Like, let's just talk about it for a sec. 


James

Right! Let’s talk about MAD Company. 


AhDream

Like a group of people, you know, recent MFA or, you know, master graduates who are like, we're going to do the thing.


James

Yeah.


AhDream

We're going to make the thing and we're not going to wait around doing it. In just by articulating that and taking actions towards that, you all are sharpening yourselves not only as artists, but as business people. And that piece is is is really critical.


James

Yeah.


AhDream

Because most artists don't know how to operate as businesses. 


James

Absolutely.


AhDream

And that's the pitfall of the whole starving artist phrase or whatever is like, actually, no, that doesn't have to be your truth.


James

Right.


AhDream

And that doesn't have to be the reality.


AhDream

But if we're not putting ourselves around people who have the business acumen to be like, actually, I'm the CEO of this company, AhDream Smith, Inc. and oh, this is what you're doing? Oh, this is how you file your taxes? Oh, this is how you make sure you're on budget?


James

Right? 


AhDream

Then that's another way of you staying ready.


James

Absolutely. 


AhDream

You know what I'm saying? 


James

Yeah. The everything beyond the actual like this happens on stage. This happens on camera. Because for unfortunately, I mean, I don't personally not personally intimate with the A-listers who are always acting. But every working actor I know, the amount of time they spend acting on camera, on stage is minuscule compared to everything else.


AhDream

Right, right.


James

You know, less than 10% of their time is spent actually doing the thing that we train for. The rest of it is getting prepared…


AhDream

Right…


James

Or finding the job or dealing with life uh that still happens around the thing that we all are obsessed with. 


AhDream

Right. 


James

Um, but yeah, MAD Company has been quite the, quite the eye opener. Um, there's a lot of work…


AhDream

Yes…


James

That goes, that goes into it that as actors we tend to not see, you know, we enter into an audition room or into a rehearsal room or on set and just do the thing and all these pieces are there. And I know for myself, I tend to take that for granted.


AhDream

Hmm mm.


James

That just, of course, in this audition room or in this rehearsal room, there's all these things. Of course, on set, there's all this stuff that happens. But every piece of that is months of work.


AhDream

Hmm mm.


James 

And lots of money and lots of talented people willing to put their time and effort into this thing. It's a lot. 


AhDream

It is, but I think what a gift. What a gift as an actor to have access to that perspective?


James

Hmm.


AhDream

You know, because I think also in not necessarily being prepared with the business acumen, side of what it takes to be an artist, most actors specifically don't have the perspective of what's going on on the other side of the table.


James

Right, of course.


AhDream

And I feel like once you get that perspective, it doesn't happen all the time. But most of the time it's easy for you to walk out that room and be like, listen, I did what I did. Now if they don't want me, it's not because I didn't do my part. 


James

Right.


AhDream

You know, there's 17 other people. There's, you know, they're doing a Tetris with the cast…


James

Right.


AhDream

You know, there's directional relationships. There's there's things that I can't control. And I feel like that then allows you to sleep a little easier and move on to the next course, you know?


James

Of course, yeah, you can't hang on to it so tightly. But you you've been on the other side of the table here, so I see on your, your resume here, there's a film Happy anniversary that you were the lead in and directed.


AhDream

Yeah. 


James

Um, tell me about that project. What is that? How did that come about? Was that your first time directing? 


AhDream

That was my first time directing, um, I think myself on film. I, before I went to graduate school, I directed this play called Sisters on Fire.


James

Okay.


AhDream

Which was a musical, a musical…it it It's evolved. It had many iterations. Um, it started as a series of essays from these two professors who teach out in Long Island, and then they wanted to turn it into a play. Um, and it had a life, you know, back when Katrina happened…


James

Wow, okay.


AhDream

And this young man who, you know, constantly working on Broadway was the musical director. So, I mean, it's had some…


James

Sure 


AhDream

Big people touch it, and then when I got involved, it was like 2016-ish and, um, I was initially in the play as an actor.


James

Okay.


AhDream

And we did it out in Long Island at like one of the libraries and I just said to myself, I say, you know, if this play comes back, I'd love to direct it. And the producer reached out and was like, hey, the director's sick, you know…


James

Wow, okay.


AhDream

We loved what you did. Would you be interested? And I was like, yes. Um, and so it had a life here in the city at the Tank. And umm…


James

Great.


AhDream

You know, it was well-received. And people were like, what are you doing next? 


James

Damn, alright, gotta do something next then!


AhDream

Right!  Umm, you know, it was iit was great. But then was also like, oh, I felt like there are people who do this professionally who have study for it, so you know, so then that little imposter syndrome, you know… 


James

That we all get of course. 


AhDream

And we did it again at, umm, the American Airlines, you know, like they have the…they’re like on the 40, 42nd stage.


James

The Public?


AhDream

No, no, no, no, no. Umm, it's over on Broadway, but American Airlines Theater has like a another floor where they did like their block box. 


James

Ohhh, okay, yeah right. Yeah, uhh maybe the Pels or something? 


AhDream

I don't know. 


James

I don't remember. But yes, the second stage.


AhDream

Right, right, right, right, right. So we did it there and it also went over well. And then I was like, I'm going to grad school.  So that was, that was kind of like my directing experience with that and with Happy Anniversary, um, it actually started as a monologue. 


James

Okay.


AhDream

So during the pandemic, a colleague of mine, Larry Powell, was doing this online course called PAPA, which was just about like making the arts, you know, more accessible and empowering artists. 


James

Wow.


AhDream

And one of the tasks during the program was to write a monologue and record it.


James

Hmm.


AhDream

And, you know, we did that. He gave feedback and then he was just like, I, I want to task you all to really, you know, consider telling this story, you know, not in just your blank background and like a light and looking at the camera, but like, how can you really create a story?


James

Right.


AhDream

And, you know, like get an editor involved, get a, you know, like…and he was working on a project at the time called The Gaze.  And as in like gazing.


James

Okay.


AhDream

Umm and it was done, you know, across different states and all this other stuff, these big people in it and it won a couple of awards and he was turning it into like a film. But anyway, that inspired me. And so I was like, I'm going to turn this film, this monologue, into a short. And I did.


James

Wow.


AhDream

And it was steeped in just my frustration and disappointment with how, um, higher education institutions were like dealing with their students.


James

In like in response to COVID?


AhDream

In response to COVID.


James

Okay, sure. 


AhDream

So like the conversation of like, yeah, I mean, online education is equivalent to…


James

Like exactly…


AhDream

…In person. And so thus the tuition should be the same. And you know, we can't give you another year and like all these different things and it's just like, I would be hard pressed to find a faculty member who were, if they were in our position, would be still making the same argument.


James

Right, of course.


AhDream

You know, umm, and so, yeah, it was I was just it was a lot of disappointment. And I that was the best way for me to kind of get it out of my system.


James

Yeah.


AhDream

Even though I still feel like I'm healing and still healing. 


James

Yeah. I mean, it's only been a few years at this point. 


AhDream

Yeah.


James

We still very much have have to deal with that, but that's so cool. That's an interesting way. I mean, it's a beautiful way to sort of deal with your frustration, your feelings channeled into this creative creative outlet.


AhDream

Yeah. And the title is, you know, that was my second year of grad school, so it’s my one year anniversary of being in grad school and that’s how we’re doing it.


James

How, what was the process of directing yourself like? Was that…


AhDream

Yeah, you know, I feel like if I'mma be honest, if I'm a yeah, I didn't give it I didn't give it too much thought It was just like I had gotten feedback from Larry around the monologue and I just kind of took that into more so in how I more so how I vocalize the monologue when I did it because it was a voiceover. So for the, I guess the acting part, I see things in my head, you know?


James

Hmm mm.


AhDream

I think I'm a I'm very much a visual learner and a visual, just person so I can see how I want things to feel. I think the biggest challenge in, um, shooting Happy Anniversary was just making sure that my my partner who I was working with who was also like the set designer, was catching the angles that I needed to happen. So she was kind of like my impromptu DP.


James

Sure, yeah. 


AhDream

You know, because we had limited time, you know, we were lighting like and this is the first time. So like…


James 

All the things you don't think about when you’re just an actor.


AhDream

Right? And because I'm still in school, like, I only have this one day off. So like this all has gotta happen…


James

It’s all gotta happen.


AhDream

Right. So it was just it was moving really fast. And I think in some ways that was great because I didn't have a lot of time to be like, uh, not not, not necessarily meticulous, but I didn't have I didn't have a lot of time to be hyper careful.


James

Hmm mm.


AhDream

You know, just like, trust yourself, get it done. 


James

I like that. That’s what you gotta do.


AhDream

That was it.  Yeah. 


James

Trust yourself. Get it done. 


AhDream

That's it. 


James

So thank you so much for chatting with us today. We've got a little bit more time. I've got a few like just kind of quick little questions I like to throw at people. 


AhDream

All right. 


James

And see if it sparks anything. First up, I see on your resume, I'm genuinely curious about this. Uh, one of your special skills is Acro yoga. 


AhDream

Yes. 


James

What the hell is that? 


AhDream

Oh, my goodness. It's the best thing ever! I highly recommend that everybody does it. 


James

Okay!


AhDream

It's like a mixture between acrobatics and yoga. 


James

Okay.


AhDream

So, you know, I just…


James

Like trapeze acrobatics?


AhDream

No, no, there's no, no, no, jump trampoline, it’s two people. So I'm…I love partner anything.


James

Okay.


AhDream

Partner dancing, swinging, bachata like. And so this was a form of, like physical activity that involved another person…


James

Hmm mm.


AhDream

But also like, stretches the limbs and…


James

Sure.


AhDream

All those things. And in some in another life, I did want to join the circus. And so, you know…


James

We all do at some point.


AhDream

Do the aerial and stilts. Yeah. And so this was a way to, like, live that out.


James

Hell, yeah. 


AhDream

So like one of the one of the moves or positions that I just think is so cool is like one person is like laying on their back with their feet up in the air and then the other person places their hips on the soles of the other person's feet and then is now, you know, parallel to the…


James

Right, airplane.


AhDream

Airplane. Yeah, yeah, yeah. And I remember when I got, I first learned this move, somebody was saying, you know, it's such an awesome sensation because most people have never felt the the sensation of being like, just lifted up. 


James

Being held.


AhDream

Yeah, yeah. 


James

Wow.


AhDream

I mean, outside of being a baby. 


James

Well, sure.


AhDream

But, you know, like as an adult, just like, levitating and it's just like if you have…most people can get this sensation if you go to the water, but if you have a fear of water, then you just don't get to…you know?


James

Yeah.


AhDream

And I was like, yo. 


James

That’s deep.


AhDream

And right, it is deep. And I think to, you know, in this whole gender conversation, specifically, men who are usually the ones lifting people up, like how powerful is it to just like real quick reverse the roles and then like…


James

Trust someone to lift you. Yeah.


AhDream

Lift them up to lift you…exactly. And because your bones, if you know, if you do the positioning right, your bones will stack.


James

Right.


AhDream

And when your bones are stacked, they can hold a lot more weight than if they're like bent or whatever. 


James

Right.  It's not muscular. It’s structural.


AhDream

Exactly. Yeah. Come on. Come on. Structural. 


James

I got you structural. 


AhDream

Yeah. 


James

Let’s go!


AhDream

Umm…


James

That's so coo. 


AhDream

Yeah. And because you're in New York, of course it's here.


James

Cuz everything’s here.


AhDream

You know, go find a class. Yeah. 


James

Absolutely everything’s here. Acro yoga. 


AhDream

Yeah.


James

All right, I'm going to, I'm going to look that up. Are there any, off the top of your head, any dream roles or dream projects you would kill to one day be a part of or to one day play? 


AhDream

I don't know if I would kill anybody…


James

Or whatever, whatever the verb is. 


AhDream

Yeah. You know.  I think my dream role doesn't exist. 


James

Oh.


AhDream

Umm, and so I am excited for it to be created. 


James

Wow, okay.


AhDream

I would love to do like a film where, you know, we're reimagining like the Laura Croft story or something like that. You know, maybe not necessarily treasure hunting, but like just a badass, you know, spy, but not necessarily connected to a love story.


James

Okay. 


AhDream

You know…


James

Some sort of some sort of action, adventure.


AhDream

Action!  You know, Listen, Marvel. Marvel.


James

I’m available.


AhDream

Marvel. Listen, I'm in this gym okay? I'm working out, five days a week. I'm getting it right, okay?  You see these guns?


James

That’s right. Jon Favreau, you see this? You see this Favreau? 


AhDream

I’m getting it together okay?


James

Call the woman. 


AhDream

But yeah, I think I think playing a superhero would be cool, but outside of that, you know, even just an action film, like, I mean, bless his heart, Tom Cruise by the man knocking on 60 but where okay? 


James

Yeah 


AhDream

Where? 


James

Still takes his shirt off on the beach with the 20 year olds and dive’s right in.


AhDream

Listen…you know just to just to be to do something like cool like that I feel like it's it's rare it's rare that you see that and I feel like it's rare, not even just black women really, but to see women, you know, taking up that kind of space in those kind of roles.  And I would love to to do something like that where it's not about, you know, seduction or, you know, it's just about skill set.


James

Right. Straight up, bad ass. 


AhDream

That's it. Like Taken. I got to set a special skills you know? 


James

There you go. 


AhDream

So that would be cool.


James

So that speaking of women of color stepping into those roles though. 


AhDream

Yeah.


James

That's maybe you can maybe you can be the next in the next series of Taken.


AhDream

I receive it like oh my gosh you would go Regina King in The Harder They Fall like that was just bad, you know what I’m saying?


James

Ohhh, okay.


AhDream

It wasn't about seduction. Trudie? Just don't cross her. Don't cross her. 


James

Okay! I love that. I love that answer. Umm, another little rapid fire question.


AhDream

Okay.


James

What drew you to acting/art/theater? Like what, what caused you to to to come this way to the dark side? 


AhDream

Sure. I mean, it's not the dark side. It's the light side. 


James

Okay.


AhDream

I grew up in the church, so I was always around, I think art and specifically music, did choir.


James

Yup.


AhDream

All the way up through high school. And so I feel like I've always been exposed to art. But why acting specifically? I just remember watching that scene. Madea's Family Reunion, and like Cicely Tyson is talking to, you know, the grandchildren and being like, you know, you got to have respect, respect yourselves, you know, and like legacy. And this is what we fought for. Da da da da and and her delivery of this speech was just so powerful.


James

Hmm.


AhDream

I felt like she was talking to me and it was on TV, you know? And so I was just like, man, I want to be able to have that type of impact, you know? I want people to to feel, you know and I remember going to a play. My aunt took me to this play in Chicago. I don't remember the name of it, but it was a it was a period piece and I remember the lights going up and the actors coming out in their regular clothes. But I still felt like they were those characters, you know? And I was like, I felt like I had been transported somewhere.


James

Yeah. 


AhDream

You know, And I was like, Yo, I was wowed. I think that's when the seed was planted and then Cicely and then I was like, “There's got to be a way to do this.” 


James

Yeah, the magic of performing. 


AhDream

Yeah. Yeah. 


James

That's why most of us do it. Do you have or could you make up on the spot a professional and or personal five year plan for us? Just track out what you want to happen. 


AhDream

Five years. 


James

We're obviously not going to hold you to this.


AhDream

You know, man, I saw that question and I was like, I should probably think about it. Umm, you know, what a year this is. It's 2023. So 2028? I’'m going to skip it. I'm going to skip it. 


James

Alright.


AhDream

I'll just loosely say I will be financially making at minimum 80% of my income as being an artist.


James

Beautiful


AhDream

And yeah, and it will be above the poverty level.


James

Yeah. 80% or something significant. 


AhDream

Yes. 


James

Good. I mean, hey, that's a great plan. Are there any other creative outlets that you have or that you pursue that we haven't talked about any other hats you wear artistically. 


AhDream

Umm, I love dancing. 


James

Okay. 


AhDream

I have not made the time to do it since being back, and that's okay. 


James

Yeah.


AhDream

But I really do enjoy it and umm…a dream of mine is to learn piano. I bought a keyboard during the pandemic. 


James

Excellent.


AhDream

I got access to a music theory book. 


James

Excellent. 


AhDream

I was like, “Oh, it's going down.” We're gonna be in the house. Oh, baby. Beethoven, I'm coming for you. Umm, but I didn't take into consideration the the depression and the just…


James

Yeah,


AhDream

The demotivation that the pandemic would have. But, um, I took the, I took my keyboard out of the closet yesterday. I'm going to set it up this week, and I think that will be my gift to myself.


James

There you go.


AhDream

You know, just a little bit, you know, schedule some time.


James

Yeah.


AhDream

A little bit, 1% every day. 


James

That’s right.  A little bit of intentionality. 


AhDream

That's it. 


James

So actor, director, dancer and a budding pianist.


AhDream

Listen…listen.


James

Is what we’ve got. Beautiful.


AhDream

I do have a dream role!


James

Oh, what's a dream role? 


AhDream

Yeah. 


James.

Tell me the dream role.


AhDream

You know, I would love I would love to play a doctor in a film or in a television series. As a kid, I always wanted to be a doctor and an actress. 


James

Yeah.


AhDream

And I didn't realize that, you know, I didn't realize how drastically different the professions are because in my head, they seem very similar. Helping people. 


James

Yeah. 


AhDream

You know, and I didn't know. I mean, I think had I known some of the stuff that I know now, it's like maybe I would have gone to medical school, got it done. 


James

Sure. 


AhDream

And then made it a shift like. 


James

Done the Ken Jeong. 


AhDream

That's it, you know. But since we didn't do that and umm probably are not going to, you know…


James 

It’s never too late.  


AhDream

That commitment. I would love to play a doctor in film or television as a way to, like, complete this.


James

Yeah, absolutely. To live out that dream. 


AhDream

Yeah. 


James

Beautiful. Well, that I mean almost answers my my final question. Um, I like to sort of end on this as a what if, if you weren't an actor/artist/creative, what would you be? 


AhDream

Yeah, I think a doctor or a lawyer 


James

Or a lawyer?


AhDream

A lawyer. Umm, I remember being in fourth grade and my friend Krystal got pushed by this boy on the playground.


James

No she didn’t.


AhDream

Yes, she did. And I was not having it. And I, you know, she like, hit him back or something. And I went with her to the principal's office and I basically defended her. I was like, I saw it. This is what he did, and he got in trouble and she didn't. 


James

And since then, I've been chasing that high ever since.


AhDream

You know, I was just like, I would make a good defense attorney. But yeah, I mean, that that moment was was pinnacle. And then I did a mock trial in high school. 


James

Oh.


AhDream

And I mean, if you think about the skill set, a lot of, you know, what lawyers do, you know, prosecution, etc., is storytelling. 


James

Absolutely, yeah. And here's the narrative.


AhDream

Persuasion, some manipulation, not that I would necessarily wanna do those things, but umm the story's good.


James

The story’s good.


AhDream

Yeah, Yeah. The storytelling aspect is there. And I do feel that like a lot of people, umm, unfortunately in this country get kind of swept under the rug because they don't have, you know, passionate people necessarily working on their behalf. They don't have inquisitive people willing to ask the hard questions. 


James

Yup, absolutely.


AhDream

And you know, as an actor, when you're given a side and not the whole script or, you know, when you're given a script, but the character is one dimensional, you know, inquisitiveness and curiosity is really what helps you flesh out the character.


James

Yeah, right.


AhDream

And so I often wonder, like, how many people's lives could be saved or, you know, transformed if people were just asking different questions. 


James

That's beautiful. That makes a lot of sense. 


AhDream

Yeah.


James

Well, you know, it's never too late. Maybe, maybe one day you go to law school, you go to med school, become a lawyer doctor actor. 


AhDream

Yeah. I mean, I've seriously still considered…


James

Of course.


AhDream

…Going back to law school because this is not as long of a commitment.


James

Right, and it requires less immediate specialization as well.


AhDream

Yeah. And, you know, maybe not going down the necessarily prosecution defense route, but entertainment law because I'm a I'm a corporation. 


James

You are a corporation, you are a corporation and entertainer and a wonderful guest to have on our podcast. 


AhDream

Why, thank you.


James

Thank you so much for joining us. This has been amazing. Umm, any final words of advice? Any last wisdom for for the youths?


AhDream

Oh, yes, wisdom. You know, I would just say this world is full of a lot of people who didn't necessarily have the space and language to, um, to be who we are, you know, out here trying to become. 


James

Yeah. 


AhDream

And I think because of that, there is a lot of umm frustration, misdirected commentary, umm and sometimes just straight up ill will. And so if you are an artist or if you are just a person, I would just offer to guard your heart in a way that keeps you obviously open to opportunities and whatever your craft is. But but create a council around you of people who are going to like, lift you up, you know, talk you off the ledge and offer you perspective. Because I think perspective is what a lot of people miss. With perspective, you can have empathy for those people. With perspective, you can give grace to yourself and with perspective, you can stay focused on what you're like trying to go after.


James

Beautiful. That was AhDream Smith. I am James Hale.  This was One Hale of a Conversation. Thank you so much for joining us. 


Maddi Albregts Outro

Thanks for listening. To learn more about any of the creatives who spoke in this episode, check out their social media links in the episode description.

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